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Posts Tagged ‘Italian actresses’

Long before little Ted had detected why there was a difference between boys and girls and what that difference could lead to he liked to look at pictures in magazines. Norwegian magazines back in the fifties were very full of mono-chrome pictures of film stars, Italian ones in particular and among them was of course Sophia Loren. Those pictures evoke feelings in little Ted he didn’t understand but still liked very much.

Every time I see one of those old black & white photos of Sophia I’m momentarily brought back to the fifties and can’t help a little smile playing over my lips. Memories are strange and wondrous things.

Here’s about 50 of those old black & whites – Ted

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forgotten ones

Mariangela Melato born in Milan was an Italian cinema and theater actress. She began her stage career in the sixties and entered the film industry with her debut film Thomas e gli a10448_Mariangela Melato_04indemoniati directed by Pupi Avati. She had done so many memorable films in the seventies which was considered as her golden age. She received much praise for her roles in films like Between Miracles (1971), The Seduction of Mimi (1972), Love and Anarchy (1973), Nada (1974), Todo modo(1976) and Il gatto (1978). Melato also starred on several American productions as well.

Biography and career

Early years

Born in Milan, the daughter of a traffic policeman and a seamstress, Melato from a young age studied painting at theAcademy of Brera, drawing posters and working as a window dresser at La Rinascente to pay for her acting lessons a10448_Mariangela Melato_06with Esperia Sperani. A striking, blonde actress, she began her stage career in 1960, entering the stage company of Fantasio Piccoli and debuting as an actress in the play Binario cieco.

From 1963 to 1965 she worked with Dario Fo in Settimo: ruba un po’ meno and La colpa è sempre del diavolo, then in 1967 she worked with Luchino Visconti in The Nun of Monza. In 1968, her final theater breakthrough with Orlando furioso by Luca Ronconi.

She made her film debut in 1969 with Pupi Avati‘s Thomas e gli indemoniati.

1970s

Seventies were the golden decade for Melato, that starred memorable film roles including the school teacher in Nino Manfredi‘s commedia all’italiana Between Miracles(1971) and the female leads in Elio Petri‘s The Working Class Goes to Heaven (1971) and Vittorio De Sica‘s Lo chiameremo Andrea (We’ll Call Him Andrew, 1972).

a10448_Mariangela Melato_08Then Melato received much praise for her role as Giancarlo Giannini‘s Milanese mistress in The Seduction of Mimi (1972), directed by Lina Wertmüller. This was to be the start of a very successful working relationship between Wertmüller, Melato and Giannini that continued with Love and Anarchy (1973), in which Melato played an anarchic prostitute, and finally with Swept Away by an Unusual Destiny in the Blue Sea of August (1974). Melato’s critically acclaimed comedic performance in this film as a spoiled, unsympathetic aristocrat is one of her most internationally known roles.

For the remainder of the 1970s, Melato worked with some Europe’s most renowned directors, including Claude Chabrol in Nada (1974), Elio Petri in Todo modo (1976) and Luigi Comencini in Il gatto (1978). She also worked on television; playing the role of Princess Bithiah, in the miniseries Moses the Lawgiver (1974), which was also released in a theatrical version.

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forgotten ones

a1024_Giovanna Ralli_09Giovanna Ralli (born, 2 January 1935) is an Italian actress.

Born in Rome, Ralli debuted as a child actress at 7; at 13 she made her theatrical debut, entering the stage company of Peppino De Filippo. After appearing in Federico Fellini and Alberto Lattuada‘s Variety Lights (1950), Ralli had her first film roles of weight in mid-fifties, often in comedy films. In 1959 she had a leading role in Roberto Rossellini‘s General della Rovere, that won the Golden Lion at the Venice Film Festival, while in 1960 her performance in Escape by Night, still directed by Rossellini, was awarded with the Golden Gate Award for Best Actress at the San Francisco International Film Festival.

a1024_Giovanna Ralli_08Ralli later won a Nastro d’Argento award, as best actress, for La fuga (1964). In mid-sixties she had a brief Hollywood career, starting from Blake EdwardsWhat Did You Do in the War, Daddy?. In 1974 she won her second Nastro d’Argento, as best supporting actress, for C’eravamo tanto amati. Starting from early eighties, Ralli focused her activities on stage. In 1993 she received a Flaiano Prize for her career. In 2003 she was made a Grand Officer of the Italian Republic.

Filmography

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 Text from Wikipedia 

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forgotten ones

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Rosalba Neri (born in Forlì, 19 June 1939), sometimes credited as Sara Bey or Sara Bay, is a retired Italian actress.

Early film career

994_Rosalba Neri_02She gave her film debut in 1958 in the film Mogli pericolose. She is uncredited in this comedy which was directory by Luigi Comencini. Her second part was in Roberto Rosselini‘s prize winning drama Era notte a Roma in 1960. Many sources list some earlier films for her, but this is a confusion with an other Italian actress, Rosalina Neri.

Historical roles

In 1960, she appeared in two sword and sandal films set in the Ancient world. The first was Il Sepolcro dei Re (The Tomb of the King). This film tells the story ofNemorat, an Egyptian pharaoh who was instrumental in the creation of the pyramids of Giza due to the intrigues surrounding his death and entombment.

The second was Raoul Walsh’s Esther and the King, starring Joan Collins as the Biblical Jewish Queen. Rosalba played Keresh and was assassinated by someone who mistook her for the Queen. Because of her dark, sultry beauty, Rosalba was often a natural fit to play certain legendary characters. She was Ramses’ intended bride in the Hercules Adventure, Il Leone de Thebe (The Lion of Thebes) in 1966. She was also 994_Rosalba Neri_07in Ercole contro i figli del sole (Hercules against the Sons of the Sun) in 1964. She played Delilah, the Biblical beauty who was the downfall of the Old Testament hero, Samson, in I Grandi Condottieri (The Great Guides).

Although starring roles were few and far between for Rosalba, she worked steadily throughout the 60s and 70s in supporting and sometimes, nondescript roles, such as her turn as a harem girl in (1961’s) El Cid.

Spy films

Rosalba also had quite a few roles in Eurospy intrigue films, often playing a less than saintly character. She was Faddja in 1965’s Il Superseven Chiama Cairo(Superseven Calls on Cairo), one of the dangerous ‘women’ that the 994_Rosalba Neri_03spy, a James Bond-like character, comes into contact with. Also in 1965, she appeared in Due Mafiosi contro Goldfinger (Two Mafiosi Against Goldfinger). Here she was credited as Sara Bay and played a character called “The Secretary.”

In 1967, she was Amalia in Password: Uccidete Agente Gordon (Password: Kill Agent Gordon). The same year she played her first part for Spanish director Jess Francoin a spy film send-up done in comic book style Lucky, el intrépido (Lucky the Inscrutable) starring Ray Danton.

Spaghetti westerns

She had roles in several 19 spaghetti westerns over the years. In 1965’s, Dinamite Jim, she played Margaret; and, in ’67 she was Rosita in Emimmo Salvi’s Wanted: Johnny Texas. That year she also appeared in Johnny Yuma, which was directed by Romolo Guerrieri followed by Long Days of Hate.

Erotic films

Rosalba, the bombshell, was also much in demand for erotic Giallo thrillers, horror, and sexploitation films. She was in Jess Franco’s box office hit 99 Women (1969), one of the first women in prison films, and Top Sensation (The Seducers) (1969) opposite Edwige Fenech. In 1972 she played Farley Granger’s wife in Alla Ricerca del piacere (Amuck, aka Leather & Whips). Granger plays a wealthy author who hires a beautiful secretary (Barbara Bouchet) and engages in kinky sex games with her and his wife. Also in 1972 she played the lead role in the erotic horror flick Lucifera Demon Lover.

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Bouchet and Neri would team up in another movie combining sex with horror, Casa d’appuntamento (French Sex Murders, 1972). A jewel thief is accused of 994_Rosalba Neri_04murdering a prostitute but is decapitated in a motorcycle accident prior to the trial. When those involved in the trial start dying, everyone wonders if the dead man has come back to exact a little revenge.

Perhaps Rosalba’s best-known films are from the horror genre. This is also where she is often credited as Sara Bay (or Bey), much to her fans’ chagrin. She played Tania Frankenstein, the daughter of the monster’s creator, in 1972’s Lady Frankenstein. Tania was willing to take her father’s work to new – and frightening – levels. It’s considered a “B” movie classic. She also played Lady Dracula, a vampire who uses the ring of Dracula to lure young virgins to her home so she can murder them and bathe in their blood (à la the medieval Countess Elizabeth of Báthory). The film, which was directed by Luigi Batzella, is often referred to as The Devil’s Wedding Night. The Italian name is Il Plenilunio dell Vergini (the Full Moon of the Virgins).

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687_maria_grazia_cucinotta_01Maria Grazia Cucinotta (born 27 July 1968) is an Italian actress who has featured in many films and television series since 1990. She has also worked as a producer, screenwriter and model.

Cucinotta was born in Messina, Province of Messina, Sicily, Italy. She is well known in Italy as a movie and television actress, but internationally she is best known for her roles in Il Postino and as the Bond girl, the Cigar Girl, in the James Bond film The World Is Not Enough.

She guest starred in The Sopranos episode "Isabella". She also appeared on The Simpsons episode "The Italian Bob" voicing Sideshow Bob‘s wife, Francesca.


She won the America Award of the Italy-USA Foundation in 2010.

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Agostina Belli (born 13 April 1947) is an Italian film actress. She has appeared in more than 50 films since 1968.

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Born in Milan as Agostina Maria Magnoni, Belli made her debut in 1968 with a minor part in Bandits in Milan, then appeared in supporting roles in several musicarelli, giallo films and horror of Spanish-Italian co-production. She had her first role of weight in Lina Wertmüller‘s The Seduction of Mimi, then she was chosen by Dino Risi as the beautiful Sara inScent of a Woman, for which she won a Grolla d’oro, and the ingenuous Marcella of The Career of a Chambermaid, for which she received a special David di Donatello. Together with most important works, in the seventies Belli lived a season of strong popularity performing in small productions and comedies of dubious value but of great commercial success, then starting from eighties she thinned out her appearances.

She was married to actor Fred Robsahm

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421_Monica Guerritore_09Monica Guerritore (Rome, Italy, January 5, 1957) is an Italian actress of cinema, theatre and television.

Biography
After her debut at just sixteen years of age under the direction of Giorgio Strehler in The Cherry Orchard (however, she had her first small part in Vittorio De Sica’s Una breve vacanza, at the early age of 13), she tied herself romantically and artistically to film and theatre director Gabriele Lavia, acting in his theatrical performances mostly strong female characters like Jocasta, Lady Macbeth and Ophelia. The couple separated in 2001, and Guerritore continued her work with other directors, like Giancarlo Sepe, in Madame Bovary, Carmen and in The Lady of the Camellias.

Beside the stage career, she also works on television and film: in 1976 along Marcello Mastroianni in Signore e signori, buonanotte, in 1977 she plays the title role in first RAI colour TV play Manon Lescaut, also, significant performances were in Salvatore Samperi’s Fotografando Patrizia (1985) and in Mauro Bolognini’s La Venexiana (1986).

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She came back to RAI in 1997, with tile role in Costanza, and in 1999, in Mario Caiano’s L’amore oltre la vita. In 2004 she plays Ambra Leonardi in Amanti e segreti, and in 2006 Ada Sereni in Gianluigi Calderone’s Exodus.

Gabriele Lavia directed her in many, often erotically toned, movies, including Scandalosa Gilda (1985), Sensi (1986) and La lupa (1996). In 2007 she plays a part in Ferzan Özpetek’s Un giorno perfetto, and in 2008 in Ivano De Matteo’s La bella gente.

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She is currently engaged in filming of Christian Duguay’s Sant’Agostino in the role of Monica.

In theatre, she also directed Giovanna d’Arco (2004–2006), and Dall’Inferno all’Infinito (2008).

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Text from Wikipedia, the free encyclopedia

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