Feeds:
Posts
Comments

Archive for the ‘The forties’ Category

a121296_asina

Asina is an orange soda produced by the small soda plants in Norway. it was launched in 1948 as an orange soda for the small plants among the members of the Soda Factory Association, meant as a competitor to Solo, also an orange soda, Norway’s most popular soda at the time – I had a bottle of Asina yesterday – Ted 😉

Image found on Roma soda plant’s Facebook page

Read Full Post »

a121291_Pontiac_01

For the 1939-1949 World’s Fair in New York, Pontiac had a special surprise in store. Working in collaboration with chemical company Rohm & Haas, who had just developed a new product called “Plexiglas”, they created an entire body shell for a 1939 Pontiac Deluxe Six. It was soon dubbed the “Ghost Car.”

a121291_Pontiac_02

When the car was first featured at General Motors’ “Highways and Horizons” pavilion, it was a massive hit. Most people wouldn’t have seen Plexiglas before, so a transparent material with that many curves was almost unheard of. Here you could look through the body of the car to see all its internal workings exposed. For aesthetic purposes all structural metal was given a copper wash, while the hardware and even the dashboard were covered in chrome. All the rubber elements in the car were made in white, including the tires.

a121291_Pontiac_03

The final price for the car? In the days when a new Pontiac was just about $700, this beauty cost $25000 to build. When this car was auctioned by RM Auctions in 2011, it went for just a little more than its original price. The one-of-a-kind car sold for $308,000.

Images and text found on Visual News – And a big thanks to Disperser from Disperser Tracks for pointing me to the link.

Read Full Post »

In this story from Mining Review 2nd Year No.12, we join Durham miner Tom McDonagh, his wife and their triplets on a family break to Butlin’s holiday camp in Filey, North Yorkshire. The very first Butlin’s opened 75 years ago in Skegness, with Filey following in 1945 after postponement during WWII. All the communal games and activities you would expect of this classic British holiday are here, introduced by a suitably jolly narrator, but as you may notice poor Mum hasn’t quite escaped the domestic drudgery.

Text and movie from British Film Institute BFI’s Youtube pages

Read Full Post »

a121278_400_02

The Moskvitch 400-420 was a car introduced in 1947 by the Soviet manufacturer Moskvitch.

Between 1940 and 1941, the Russians had independently made 500 units of the KIM 10-50, a loose copy of the similarly sized four-door Ford Prefect, but national priorities changed with the German invasion of Russia in Summer 1941, and the production of the Ford inspired car was not resumed after the war. It was Joseph Stalin who personally chose in June 1945 a four-door Kadett to become a first mass-produced popular Soviet car, so plans and tooling of a four-door version had to be reconstructed with help of German engineers, who worked upon them in a Soviet occupation zone.

Development began in 1944, following a prewar plan to produce a domestically built car able to be used and maintained by citizens living outside major cities. The KIM factory was selected to build the car, with the prewar KIM 10-52 (not built due to the Second World War) as a basis, with production approved in May 1945 and prototypes intended to be ready in December; by the end of May, however, these plans had faltered.

a121278_400_01

At war’s end, the Soviet Union deemed the plans and tooling for the 1939 Opel Kadett K38 as part of the war reparations package, since the tooling in the Rüsselsheim factory was largely intact; residents dismantling the Kadett production tooling and loaded fifty-six freight cars, bound for Moscow and the newly built "Stalin Factory" (ZIS). However, according to recent Russian sources, the Kadett plans and tooling were in fact not captured from the factory, because they did not survive there (and what survived was appropriate for producing a two-door model).

In any event, after KIM was renamed MZMA (Moscovskiy Zavod Malolitrazhnyh Avtomobiley, Moscow Factory for Making Small Cars) in August 1945, the new car was ready for production before the end of 1946 (somewhat behind the planned June deadline): the first 400-420 was built 9 December, "400" meant a type of engine, and "420" the (saloon) body style. With unitized construction, independent front suspension, three-speed manual transmission. and hydraulic brakes, it was powered by a 23 hp (17 kW; 23 PS) 1,074 cc (65.5 cu in) inline four (with acompression ratio of 5.6:1). Acceleration 0–50 mph (0–80 km/h) took 55 seconds, and achieved 9 L/100 km (31 mpg-imp; 26 mpg-US) (the best of any Soviet car at that time). With a wheelbase of 2,340 mm (92 in)) and ground clearance of 200 mm (7.9 in)), it measured 3,855 mm (151.8 in) long overall 1,400 mm (55 in) wide, 1,550 mm (61 in) tall. Approved for mass production by the Soviet government on 28 April 1947, 1,501 were built the first year, with 4,808 for 1948 and 19,906 in 1949, the same year a mesh oil filter was introduced. In 1951, synchromesh was introduced on the top two gears, and the gear lever relocated to the steering column.

a121278_400_04

In 1948, a prototype woodie wagon, the 400-422, with an 800 kg (1,800 lb) payload, was built, but never entered production. Neither did the similar 400-421 estate or pickoupe. The 400-420A cabriolet debuted in 1949.

Most of the Opel tooling removed to Russia was for the two-door Kadett model, and the Russians converted this into a 4-door configuration that visually was near identical to the original Kadett 4-door. Although Opel was U.S. property, GM did not recover control of the factory until 1948 and were therefore unable to contest the transfer.

a121278_400_03

The 400 went on sale in Belgium in October 1950, making it a very early Soviet automotive export product, priced at 349: below the Ford Prefect and Anglia, and well below the Morris Minor. Motor praised its engine’s quietness, the caliber of its finish, and the quality of the ride.

The 100,000th Moskvich was built in October 1952.

Several prototypes were also built. In 1949, proposal for an improved 26 hp (19 kW; 26 PS) 401E-424E and a 33 hp (25 kW; 33 PS) 403E-424E saw only six examples built. Following this, in 1951, the factory produced the 403-424A coupé with a 35 hp (26 kW; 35 PS) four. The "stunning" 404 Sport of 1954 used a new 58 hp (43 kW; 59 PS) overhead valve hemi engine.

My family’s first car when I was a kid was an Opel Kadet K38 – Ted

Text from wikipedia

Read Full Post »

a12123_land army

Women from the Land Army collecting the crop at Rhosmardy, Llandrillo sometimes during WWII -  And one local at least seem to enjoy the visit – Ted

Image (doctored) found on The National Library of Wales on Flickr

Read Full Post »

jeanne-crain

Jeanne Elizabeth Crain (May 25, 1925 – December 14, 2003) was an American actress whose career spanned from 1943 to 1975. She received an Academy Award nomination for Best Actress in the 1949 film Pinky, in which she played the leading role. She was also noted for her ability in ice skating.

Career

a12116_craig_05In 1944, Crain starred in Home in Indiana and In the Meantime, Darling. Her acting was critically panned, but she gained nationwide attention. It resulted in landing the leading role in The Shocking Miss Pilgrim in October 1944, a musical film which was eventually made with Betty Grable as the star.

Crain first received critical acclaim when she starred in Winged Victory (1944). She co-starred in 1945 with Dana Andrewsin the musical film State Fair, in which Louanne Hogan dubbed Crain’s singing numbers. After that, Crain often had singing parts in films, and they were invariably dubbed, in most cases by Hogan. Also in 1945, Crain starred in Leave Her to Heaven with Gene Tierney. Her ice skating ability was on display in the 1946 film, Margie, in which she and Conrad Janis danced around the ice rink as her boyfriend, Alan Young, slipped and stumbled his way along the ice.

a12116_craig_02In 1949, Crain appeared in three films — A Letter to Three Wives, The Fan, and Pinky, the latter earning her an Academy Award nomination for Best Actress. Pinky was controversial, since it told the story of a light-skinned African American woman who passes for white in the Northern United States. Although Lena Horne and other black actresses were considered, producer Darryl F. Zanuckchose to cast a white actress for fear of racial backlash.

Crain starred opposite Myrna Loy and Clifton Webb in the 1950 biographical film Cheaper by the Dozen. Next, Crain paired with Cary Grant in the Joseph L. Mankiewicz film of the offbeat drama People Will Talk (1951). Despite Jeanne heavily campaigning for the female lead, Anne Baxter was initially cast in the part, but when she had to forfeit due to pregnancy, Crain was given the role after all. Shortly after, she starred in Charles Brackett‘s production The Model and the Marriage Broker (1951). Cast in May 1951, Crain was Brackett’s first choice for the role. Crain was reunited with Loy for Belles on Their Toes (1952), the sequel to Cheaper by the Dozen.

a12116_craig_03While still at 20th Century Fox, Crain played a young wife quickly losing her mind amidst high-seas intrigue in Dangerous Crossing(1953), co-starring Michael Rennie. Crain then starred in a string of films for Universal Pictures, including a notable pairing with Kirk Douglas in Man Without a Star(1955).

Crain showed her dancing skills in 1955’s Gentlemen Marry Brunettes co-starring Jane Russell, Alan Young, and Rudy Vallee. The production was filmed on location inParis. The film was based on the Anita Loos sequel to Gentlemen Prefer Blondes. Gentlemen Marry Brunettes was popular throughout Europe at the time and was released in France as A Paris Pour les Quatre (To Paris for the Four), and in Belgium as Cevieren Te Parijs. Later in the 1950s, Crain, Russell, and another actress formed a short-lived singing and dancing lounge act on the Strip in Las Vegas.

a12116_craig_04In 1956, Crain starred opposite Glenn Ford, Russ Tamblyn, and Broderick Crawford in the Western film The Fastest Gun Alive directed by Russell Rouse. In 1957, she played a socialite who helps a floundering singer and comedian (Frank Sinatra) redeem himself in The Joker Is Wild.

In 1959, Crain appeared in a CBS special television production of Meet Me in St. Louis. Also starring in the broadcast were Loy, Walter Pidgeon, Jane Powell, and Ed Wynn, with top billing going to Tab Hunter. Film roles became fewer in the 1960s as Crain went into semiretirement. She appeared as Nefertiti in the Italian production of Nefertiti, Queen of the Nile (1961) with Edmund Purdom and Vincent Price. During this period, Crain appeared – for the second time – as one of the mystery guests on the CBS game show, What’s My Line?, and made guest appearances on the NBC Western series, Riverboat, with Darren McGavin, and the ABC detective a12116_craig_01series,Burke’s Law, starring Gene Barry.

She starred again with Dana Andrews in Hot Rods To Hell (1967). Her last films were Skyjacked (1972) and The Night God Screamed (1975).

Legacy

Crain’s career is fully documented by a collection of memorabilia about her assembled by Charles J. Finlay, a longtime publicist at 20th Century Fox. The Jeanne Crain Collection resides at the Cinema Archives at Wesleyan University in Middletown, Connecticut. These archives also hold the papers of Ingrid Bergman, Frank Capra,Clint Eastwood, and others.

Filmography

Film

Year Film Role Notes

1943

The Gang’s All Here

Chorus Girl/Pool Party Guest

uncredited

1944

Home in Indiana

‘Char’ Bruce

 

In the Meantime, Darling

Margaret ‘Maggie’ Preston

 

Winged Victory

Helen

 

1945

State Fair

Margy Frake

a.k.a. Rodgers and Hammerstein’s State Fair
also Soundtrack

Leave Her to Heaven

Ruth Berent

 

1946

Centennial Summer

Julia Rogers

also Soundtrack

Margie

Marjorie ‘Margie’ MacDuff

also Soundtrack

1948

You Were Meant for Me

Peggy Mayhew

 

Apartment for Peggy

Peggy Taylor

also Soundtrack

1949

A Letter to Three Wives

Deborah Bishop

 

The Fan

Lady Margaret ‘Meg’ Windermere

a.k.a. Lady Windermere’s Fan

Pinky

Patricia ‘Pinky’ Johnson

Nominated — Academy Award for Best Actress

1950

Cheaper by the Dozen

Ann Gilbreth

 

I’ll Get By

Jeanne Crain

uncredited
Cameo appearance

1951

Take Care of My Little Girl

Elizabeth ‘Liz’ Erickson

 

People Will Talk

Deborah Higgins

 

The Model and the Marriage Broker

Kitty Bennett

 

1952

Belles on Their Toes

Ann Gilbreth

a.k.a. Belles on Their Toes: The Further Adventures of the Gilbreth Family

O. Henry’s Full House

Della Young

Segment The Gift of the Magi

1953

Dangerous Crossing

Ruth Stanton Bowman

 

Vicki

Jill Lynn

 

City of Bad Men

Linda Culligan

 

1954

Duel in the Jungle

Marian Taylor

 

1955

Man Without a Star

Reed Bowman

 

Gentlemen Marry Brunettes

Connie Jones/Mitzi Jones

also Soundtrack

The Second Greatest Sex

Liza McClure

also Soundtrack

1956

The Fastest Gun Alive

Dora Temple

 

1957

The Tattered Dress

Diane Blane

 

The Joker Is Wild

Letty Page

a.k.a. All the Way

1960

Guns of the Timberland

Laura Riley

 

1961

Twenty Plus Two

Linda Foster

a.k.a. It Started in Tokyo

Nefertiti, Queen of the Nile

Tenet/Nefertiti

Original title: Nefertiti, regina del Nilo

1962

Madison Avenue

Peggy Shannon

 

Pontius Pilate

Claudia Procula

Original title: Ponzio Pilato

1963

Invasion 1700

Helen

Original title: Col ferro e col fuoco
a.k.a. Daggers of Blood
a.k.a. With Fire and Sword

1967

Hot Rods to Hell

Peg Phillips

a.k.a. 52 Miles to Terror

1971

The Night God Screamed

Fanny Pierce

a.k.a. Scream

1972

Skyjacked

Mrs. Clara Shaw

a.k.a. Sky Terror

Television
Year Title Role Notes

1955

Star Stage

Nancy

1 episode

1956

The Ford Television Theatre

Joyce Randall

1 episode

1958

Playhouse 90

Daisy Buchanan

1 episode

Schlitz Playhouse of Stars

Ruth Elliot

1 episode

1959

Meet Me in St. Louis

Rose Smith

TV movie

Goodyear Theatre

Lila Babrek Barnes

1 episode

Riverboat

Laura Sutton

1 episode

1960-62

G.E. True Theater

Hope/Marion Miller

3 episodes

1963

The Dick Powell Theatre

Elsie

1 episode

1964-65

Burke’s Law

Amy Booth / Lorraine Turner / Polly Martin

3 episodes

1968

The Danny Thomas Hour

Frances Merrill

1 episode

The Name of the Game

Mrs. McKendricks

1 episode

1972

Owen Marshall: Counselor at Law

Lily MacMurdy

1 episode

Text and filmography table from Wikipedia

Read Full Post »

a12102_irene dunne_01

Irene Dunne (December 20, 1898 – September 4, 1990) was an Irene Dunne American film actress and singer of the 1930s, 1940s and early 1950s. Dunne was nominated five times for the Academy Award for Best Actress, for her performances in Cimarron (1931), Theodora Goes Wild (1936), The Awful Truth (1937), Love Affair (1939) and I Remember Mama (1948). She was named to the International Best Dressed List Hall of Fame in 1958.

Early life

a12102_irene dunne_02Born Irene Marie Dunn in Louisville, Kentucky, to Joseph Dunn, a steamboat inspector for the United States government, and Adelaide Henry, a concert pianist/music teacher from Newport, Kentucky, Irene Dunn would later write, “No triumph of either my stage or screen career has ever rivalled the excitement of trips down the Mississippi on the river boats with my father.” She was only eleven when her father died in 1909. She saved all of his letters and often remembered and lived by what he told her the night before he died: “Happiness is never an accident. It is the prize we get when we choose wisely from life’s great stores.”

After her father’s death, Irene, her mother, and her younger brother Charles moved to her mother’s hometown of Madison, Indiana. Dunn’s mother taught her to play the piano as a very small girl. According to Dunn, “Music was as natural as breathing in our house.” Dunne was raised as a devout Roman Catholic. Nicknamed “Dunnie,” she took piano and voice lessons, sang in local churches and high school plays before her graduation in 1916.

She earned a diploma to teach art, but took a chance on a contest and won a prestigious scholarship to the Chicago Musical College, where she graduated in 1926. With a soprano voice, she had hopes of becoming an opera singer, but did not pass the audition with the Metropolitan Opera Company.

Career

a12102_irene dunne_03Irene, after adding an “e” to her surname, turned to musical theatre, making her Broadway debut in 1922 in Zelda Sears‘s The Clinging Vine. The following year, Dunne played a season of light opera in Atlanta, Georgia. Though in her own words Dunne created “no great furore”, by 1929 she had a successful Broadway career playing leading roles, grateful to be at centre stage rather than in the chorus line. In July 1928, Dunne married Francis Griffin, a New York dentist, whom she had met in 1924 at a supper dance in New York. Despite differing opinions and battles that raged furiously, Dunne eventually agreed to marry him and leave the theatre.

Dunne’s role as Magnolia Hawks in Jerome Kern and Oscar Hammerstein II‘s Show Boat was the result of a chance meeting with showman Florenz Ziegfeld in an elevator the day she returned from her honeymoon. Dunne was discovered by Hollywood while starring with the road company of Show Boat in 1929. Dunne signed a contract with RKO and appeared in her first movie in 1930, Leathernecking, a film version of the musical Present Arms. She moved to Hollywood with her mother and brother and maintained a long-distance marriage with her husband in New York until he joined her in California in 1936. a12102_irene dunne_04That year, she re-created her role as Magnolia in what is considered the classic film version of the famous musical Show Boat, directed by James Whale. (Edna Ferber‘s novel, on which the musical is based, had already been filmed as a part-talkie in 1929, and the musical would be remade in Technicolor in 1951, but the 1936 film is considered by most critics and many film buffs to be the definitive motion picture version.)

During the 1930s and 1940s, Dunne blossomed into a popular screen heroine in movies such as the original Back Street (1932) and the original Magnificent Obsession(1935). The first of three films she made opposite Charles Boyer, Love Affair (1939) is perhaps one of her best known. She starred, and sang “Smoke Gets in Your Eyes“, in the 1935 Fred AstaireGinger Rogers film version of the musical Roberta.

She was apprehensive about attempting her first comedy role, as the title character in Theodora Goes Wild (1936), but discovered that she enjoyed it. She turned out to possess an aptitude for comedy, with a flair for combining the elegant and the madcap, a quality she displayed in such films as The Awful Truth (1937) and My Favourite Wife (1940), both co-starring Cary Grant. Other notable roles include Julie Gardiner Adams in Penny Serenade (1941) (once again opposite Grant), a12102_irene dunne_05Anna Leonowens in Anna and the King of Siam (1946), Lavinia Day in Life with Father (1947), and Marta Hanson in I Remember Mama (1948). In The Mudlark(1950), Dunne was nearly unrecognizable under heavy makeup as Queen Victoria.

She retired from the screen in 1952, after the comedy It Grows on Trees. The following year, she was the opening act on the 1953 March of Dimes showcase in New York City. While in town, she made an appearance as the mystery guest on What’s My Line? She also made television performances on Ford Theatre, General Electric Theatre, and the Schlitz Playhouse of Stars, continuing to act until 1962.

In 1952-53, Dunne played newspaper editor Susan Armstrong in the radio program Bright Star. The syndicated 30-minute comedy-drama also starred Fred MacMurray.

Dunne commented in an interview that she had lacked the “terrifying ambition” of some other actresses and said, “I drifted into acting and drifted out. Acting is not everything. Living is.

Text from Wikipedia 

Read Full Post »

Older Posts »

%d bloggers like this: