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Joanna Pettet
(born Joanna Jane Salmon; 16 November 1942, London) is a British actress, retired since 1990.

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Biography

Her parents, Harold Nigel Edgerton Salmon, a British Royal Air Force pilot killed in World War II, and mother, Cecily J. Tremaine, were married in London in 1940. After the war, her widowed mother remarried and settled in Canada, where young Joanna was adopted by her stepfather and assumed his surname of "Pettet".

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She studied with Sanford Meisner at the Neighborhood Playhouse, as well as at the Lincoln Center, and got her start on Broadway in such plays as Take Her, She’s Mine, The Chinese Prime Minister and Poor Richard, with Alan Batesand Gene Hackman, before she was discovered by director Sidney Lumet for his 1966 film adaptation of Mary McCarthy‘s novel, The Group. The success of that film launched a film career that included roles in The Night of the Generals (1967), as Mata Bond in the James Bond spoof Casino Royale (1967), Peter Yates’s Robbery (1967) with Stanley Baker, Blue (1968) with Terence Stamp and the Victorian period comedy, The Best House in London (1969).

In 1968 she married the American actor Alex Cord and gave birth to a son later that year. She and Cord were divorced in 1989 after 21 years of marriage. She has not remarried.

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a1054_Joanna Pettet_05In 1969, Pettet had lunch at the home of Sharon Tate on the afternoon before Tate’s murder in the home that evening.

In the 1970’s her feature film appearances became sporadic and included roles in the cult horror films Welcome to Arrow Beach (1974) and The Evil (1978). However, Pettet re-emerged as the star of over a dozen made-for-television movies, including The Delphi Bureau (1972), The Weekend Nun (1972), Footsteps(1972), Pioneer Woman (1973), A Cry in the Wilderness (1974), The Desperate Miles (1975), The Hancocks (1976), Sex and the Married Woman (1977), Cry of the Innocent (1980) with Rod Taylor, and The Return of Frank Cannon (1980). She also starred in the NBC miniseries Captains and the Kings (1976), guest-starred four times on the classic Rod Serling anthology series Night Gallery, starred in the episode "You’re Not Alone" from the 1977 NBC anthology series Quinn Martin’s Tales of the Unexpected (known in the United Kingdom as Twist in the Tale), was a frequent guest on both Fantasy Island and The Love Boat (appearing three separate times on each series), and had a recurring role on Knots Landing in 1983 as Janet Baines, an LAPD homicide detective investigating the murder of singer Ciji Dunne (played by Lisa Hartman).

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Later years

Her last acting appearance was in a "bad action film" called Terror in Paradise in 1990 that was produced by Roger Corman and his frequent Philippine associate Cirio Santiago. During filming in the Philippines a1054_Joanna Pettet_13she was held hostage by rebels, led by Gregorio Honasan, attempting to overthrow Corazon Aquino, and managed to escape the hotel where she was being held before fleeing the country. By then, she had lost her enthusiasm for acting and decided it was time to bow out gracefully from the entertainment industry.

The grief over the sudden death in 1995 of her 26-year-old son, Damien Zachary Cord, born from her marriage to actor Alex Cord, caused Pettet to retreat even further from Hollywood. For a time, she lived in a remote area in California until she moved to London, where she was actor Alan Bates‘s companion; he died from pancreatic cancer in London in 2003 at the age of sixty-nine.

Text from Wikipedia 

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Tallulah Bankhead was investigated by MI5 in the 1920s amid rumours that she was corrupting pupils at Eton; that she seduced up to half a dozen public schoolboys into taking part in “indecent and unnatural” acts. By the end of the decade, she was one of the West End’s – and England’s – best-known and most notorious celebrities.

I would have been glad to participate in “indecent and unnatural” acts with famous and notorious female celebrities when I was a student – Ted

Text and image from Mad Dogs And Englishmen

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244_veraday_013Vera, like her contemporary, Barbara Windsor, is a product of that post-war moment in which an unmistakably East London accent was no longer a bar to being a movie glamour girl. Other blonde bombshells of the period had to mind their language: Diana Dors submerged any trace of Swindon under a sassy transatlantic drawl; the Stockport-born Sabrina had to be content with stooging silently beside the comedian Arthur Askey. (Although the fan mags declared that the 1955 trackside melodrama Stock Car would be the first to allow audiences to hear her speak, the producers broke the deal, and dubbed her.) But nobody silenced or elocuted Vera Day. She sounded like a girl from Forest Gate. Triumphantly, she still does.

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Every girl was a glamour girl in those days, whether she was blonde, brunette or redhead,” she reflects. “It was obligatory to have the 37-22-24.” She traces the hour-glass shape in the air. I suspect the same calculations were made by Jack Hylton, the band-leader and impresario who plucked her from a hairdressing salon and put her into a show at the London Hippodrome – and by the movie director Val Guest, who first put her on the big screen in Dance Little Lady (1954).

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She soon became one of British cinema’s most prolific showbiz blondes. At the 1955 Royal Variety Show she shared the bill with Morecambe and Wise, Gracie Fields and Alma Cogan. She spent a season crooning for the diners at the Edmundo Ros supper club on Regent Street – and much longer performing live TV dramas and comedies. (“By raising an eyebrow,” said The Times of Vera’s turn in the title role of The Red-Headed Blonde, “she can put down an opponent as if with a feather dipped in acid.”) The film work also came briskly. In Too Many Crooks (1959) she’s the moll in a gang of thieves led by George Cole and Sid James – in one brilliant scene, she stuffs fistfuls of stolen banknotes down the front of her dress, as a distracted Terry-Thomas attempts to yank them out again. In Fun at St Fanny’s (1956), she is a conniving actress who infiltrates a private school attended by a very little Ronnie Corbett and the agreeably horse-faced comic Cardew Robinson. In A Kid for Two Farthings (1955), Carol Reed’s strange symbolist drama set among the stalls and shops of Fashion Street, she fights Diana Dors for the attentions of an East End bodybuilder. Reed, Vera recalls, would instruct actors by performing the lines himself. “It was strange, watching him being me, and then Primo Carnera, this huge Italian wrestler.”

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The press took an interest in her, too. Picture Show reported, quite erroneously, that she had been injured in a car crash on the way to the Danziger studios. (A merciful deliverance if it had happened, given the quality of Danziger productions.) The Mirror asserted, more accurately, that a German film company had offered her a £15,000 contract to play a stripper. (“It’s one thing to give them rocket bases,” they thundered, “but that’s no reason for Vera to show Deutschland Alles.”) Her separation from her first husband, a Charles Atlas model and masseur called Arthur Mason, attracted the attention of the gossip columnists – as did the details of his brushes with the law. While they were married, however, the copy was good: “Given a couple of extra inches all round,” exclaimed the Daily Mirror in April 1960, ‘Miss Day (husband Arthur Mason) might begin to challenge Miss Monroe (husband Arthur Miller)”

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Mason wasn’t much of a Miller. But Vera did survive a skirmish with Marilyn Monroe. She had a small part in The Prince and the Showgirl (1957), and Monroe saw to it that it was as small as possible. “Marilyn insisted I wore a brown wig,” she remembers. “I’m a blonde and she didn’t want any competition at all.” But an attempt to sabotage her costume seems to have backfired. “Marilyn had this one white dress to wear which if you’ve seen the film you’ll know was very figure-hugging. One day the designer Beatrice Dawson called me to say they were making me a new dress. This dress when I got it clung to me like I couldn’t tell you. It was flesh-coloured and it looked as if I was nude. It was a dynamite dress. And I walked on that set and she nearly had a heart attack.”

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Text from Spitalfields Life

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162_carol-white_002Carol White (1 April 1943 – 16 September 1991) was a British actress. She achieved notability for her performances in the television play Cathy Come Home (1966) and the films Poor Cow (1967) and I’ll Never Forget What’s’isname (1967), but alcoholism and drug abuse damaged her career, and from the early 1970s she worked infrequently.

Life and career
White, the daughter of a scrap merchant, was born in Hammersmith. She attended the Corona Stage Academy. She played minor roles in films from 1949 until the late 1950s, when she began to play more substantial supporting roles in films such as Carry on Teacher (1959) and Never Let Go (1960) in which she played the girlfriend of Peter Sellers.

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She continued working regularly and drew attention for her performances in the television version of Nell Dunn‘s Up the Junction (1965). She followed this success with roles in Cathy Come Home (1966) and the films Poor Cow (1967), based on another Nell Dunn book, and I’ll Never Forget What’s’isname (1967). Cathy Come Home and Poor Cow were both directed by Ken Loach.

162_carol-white_001White starred opposite Alan Bates, Dirk Bogarde and Ian Holm in the film adaptation of Bernard Malamud’s The Fixer (1968) and then travelled to Hollywood in 1968 to make Daddy’s Gone A-Hunting (1969). She appeared in Dulcima in 1971, but her career went into decline soon after, largely as a result of personal problems including drug and alcohol abuse, though she had a prominent role as a hostage in The Squeeze (1977).

After living in Hollywood for several years, White returned to London to star in Nell Dunn’s play Steaming at the West End’s Comedy Theatre, filming Nutcracker at the same time. Despite receiving excellent reviews for Steaming, she often was late, missed performances, and finally was sacked. In 1981, a biography, Carol Comes Home, by Clifford Thurlow, was published. Although White received publicity for the play and the biography, she was not able to renew her career. She returned to the United States, where she remained for the rest of her life.

162_carol-white_004Personal life
D
uring the late 1960s, White was considered one of the most promising actresses in British cinema. Her problems with alcoholism and substance abuse, as well as unhappy relationships with male stars such as Richard Burton, Frank Sinatra, Oliver Reed and (according to Julian Upton) Paul Burke, hindered her career.

White died in 1991 in Florida, at the age of 48. The cause of her death is disputed, with some sources claiming she took a drug overdose and others (including Upton and the Sunday Times) suggesting she succumbed to liver disease. She had two sons from her first marriage.

A television film of her life, The Battersea Bardot, was shown in 1994 with Wendy Morgan as White.

Selected filmography
Kind Hearts and Coronets (1949)
The Belles of St Trinian’s (1954)
Carry On Teacher (1959)
Never Let Go (1960)
Linda (1960)
The Man in the Back Seat (1961)
All Night Long (1962)
The Boys (1962)
Ladies Who Do (1963)
Cathy Come Home (1966)
I’ll Never Forget What’s’isname (1967)
Poor Cow (1967)
The Fixer (1968)
Daddy’s Gone A-Hunting (1969)
The Man Who Had Power Over Women (1970)
Something Big (1971)
Dulcima (1971)
Made (1972)
The Squeeze (1977)

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155_Alexandra Bastedo_007Alexandra Bastedo (born 9 March 1946) is a British actress, best known for her role as secret agent Sharron Macready in the 1968 British espionage/science fiction adventure series The Champions. She has been cited as a sex symbol of the 1960s and ’70s. Bastedo is a vegetarian and well-known animal welfare advocate.

Early life
Bastedo was born in Hove, Sussex, England. According to her official website, her mother was of French, German and Italian descent. Her Canadian-born father was of Spanish, Dutch, Scottish and native Indian extraction. She attended Brighton and Hove High School and Brighton School of Drama.

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Professional career
She made her film debut as one of the title characters in William Castle’s poorly received 13 Frightened Girls (1963). Bastedo gained fame on the European continent, earning her the nickname, "La Bastedo". Although most familiar to viewers of 1960s TV, she was also famous for her multilingual skills, speaking Italian, Spanish, French and German. This skill brought her to the door of 10 Downing Street to assist with translations and landed her the role of co-presenter of Miss World competitions with Peter Marshall in the 1980s. In the early 1990s, she appeared in an episode of Absolutely Fabulous playing a 1960s model associate of Edina and Patsy. In 1991, she appeared in a notable production of the psychological thriller Dangerous Obsession by N. J. Crisp, opposite Marc Sinden and John Challis, at the Mill at Sonning.

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In 2006, Bastedo was reunited for the first time with her co-stars from The Champions to provide commentaries and an interview for a DVD release of the show. Still working as an actress, she appeared in Batman Begins, and touring theatres in 2006 with a production of Beyond Reasonable Doubt alongside Leslie Grantham and Simon Ward. In 2008, she joined the cast of EastEnders, playing "Cynthia". In January 2008, she appeared as co-presenter (with Ed Stewart) of "The Magic of Mantovani" at Lighthouse, Poole. The success of this concert led, the following year, to a second concert at Lighthouse in Poole, with the Mantovani Orchestra, which she again co-presented.

155_Alexandra Bastedo_001Filmography
13 Frightened Girls (aka The Candy Web) (1963)
The Liquidator (1966)
Doctor in Clover (1966)
That Riviera Touch (1966)
The Haunted Man (1966)
The Head Waiter (1966) (TV)
The Saint (episode "The Counterfeit Countess", 1967)
Casino Royale (1967)
The Champions (TV series, 1968–69)
A Promise of Bed (1969)
I Can’t… I Can’t (1969)
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(episode "Whoever Heard of a Ghost Dying?", 1969)
Tibetana (1970)
Codename (1970) (TV series)
My Lover My Son (1970)
From a Bird’s Eye View (episode "Sicillian Affair", 1970)
The Blood Spattered Bride (1972)
(Spanish title: La Novia Ensangrentada)
Odio mi cuerpo (1974)
Tu dios y mi infierno (1975)
The Ghoul (1975)
El Clan de los Nazarenos (1975)
155_Alexandra Bastedo_005The Man Inside (1976)
Find the Lady (1976)
El Mirón (1977)
Cabo de vara (1978)
The Aphrodite Inheritance (miniseries, 1979)
A Choice of Two (1981)
Estigma (1982)
Legend of the Champions (TV, 1983)
Draw! (1984) (TV)
La Veritat oculta (1987)
Absolutely Fabulous (episode "Fat", 1992)
Batman Begins (2005)
EastEnders (2008–2009)

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117416_se1Samantha Eggar (born 5 March 1939) is an English film, television and voice actress. She was born Victoria Louise Samantha Marie Elizabeth Therese Eggar in Hampstead, London to an Anglo-Irish father (Ralph, a major in the British Army) and a mother (Muriel) of Dutch descent. She was raised Roman Catholic and educated at St Mary’s Providence Convent, Woking, Surrey.

Career
She began her acting career in several Shakespearean companies, and debuted on film in 1962 in The Wild and the Willing. Also in 1962 she played Ethel Le Neve in the film Dr. Crippen, alongside Donald Pleasence. Eggar starred in the comedy Walk Don’t Run (1966) with Cary Grant in his last picture and Jim Hutton, father of actor Timothy Hutton. She received a nomination for the Academy Award for Best Actress for The Collector (1965), directed by William Wyler. She won a Golden Globe award for this performance and was also named Best Actress at the Cannes Film Festival.

117416_se2Eggar appeared in such films as Curtains, Doctor Dolittle, The Molly Maguires, Dark Horse, The Brood, and The Light at the Edge of the World. In 1972, she played the governess opposite Yul Brynner for the short-run TV show Anna and the King. In 1977, she co-starred with Peter Falk and Theodore Bikel in the Columbo episode The Bye-Bye Sky High IQ Murder Case. She appeared as Maggie Gioberti in "The Vintage Years", the pilot for the drama Falcon Crest, but was replaced by Susan Sullivan when the series went into production.

In 1997, she provided the voice of Hera in Disney’s animated film Hercules. Eggar also had a role in a 1999 picture, The Astronaut’s Wife, which starred Johnny Depp.

She has appeared as the wife of Captain Jean-Luc Picard’s brother Robert in the television series Star Trek: The Next Generation, as Sister Vivian in Cold Case, and as Sarah Templeton, the wife of Speaker of the House Nathan Templeton (Donald Sutherland), on the short-lived television series Commander in Chief, which starred Geena Davis. In 2000, she had a brief run in the American soap opera All My Children. In 2009, she played the mother of Jack and Becky Gallagher in Season 1, Episode 11 ("Lines in the Sand") of the FOX television series Mental.

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1174895_blbBettina Le Beau (born 23 March 1932 in Antwerp, Belgium), also known as Bettine Le Beau, is an actress known for her film, radio and television appearances in the UK.

During World War II she was separated from her parents; as she was Jewish, she was held in a concentration camp in southern France. She escaped from Camp DeGurs and was hidden by a family from the Nazis. She went to England in 1945 and attended Pitman’s College. She worked as a model, graphologist and cabaret artist and learned several languages.

As an actress her television appearances include The Benny Hill Show, The Prisoner, Call My Bluff and The Golden Shot. Film appearances include My Last Duchess, A Ferry Ann, Devil’s Daffodil and an uncredited role as Professor Dent’s secretary in the first James Bond film, Dr No. On radio, she was a regular on the BBC World Service programme Animal, Vegetable and Mineral, a version of Twenty Questions.

She worked on a programme for women on radio and wrote a book entitled Help Yourself to Happiness (ISBN 0953421600). She has also lectured on her experience of the Holocaust.

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